#1 : Art Nouveau, Retrieved 24/ 5/13 http://www.allpainting.org/v/Art+Nouveau/
#2 : William Hardy, (1992) 'A guide to Art Nouveau Style' London, Quintet Publishing, Magna books
#3 :William Morris, Retrieved 24/5/13 http://en.wikipedia.org/wiki/William_Morris
#4 :Industrial Revolution (2013) History Channel website, Retrieved 1:18 24/5/13 from http://www.history.com/topics/industrial-revolution
#5 : Gesamtkunstwerk (Total work of art) Richard Wagner, Retrieved 24/5/13 http://litmusicadaption.wikispaces.com/Total+Work+of +Art+(Richard+Wagner)
#6 Gesamtkunstwerk, Retrieved 24/5/13, http://en.wikipedia.org/wiki/gesamtkunstwerk
#7 Gontar Cybele, "Art Nouveau" in Heilbrunn Timeline of Art History, New York: the Metropolitan Museum of Art (October 2006) Retrieval date 24/5/13 http://www.metmuseum.org/toah/hd/artn/hd artn.htm
SamkettellDRAW
Sunday, 23 June 2013
Friday, 21 June 2013
Seminar Notes
My seminar
is about the art movement of Art nouveau beginning in the late 19th
century, and ended quickly around the time of world war one. Originating from
London and spreading across European countries of Germany, France, Spain and
Austria. The movement was known for the varying use of different Medias like
paintings, architecture, jewellery, furniture. It was a reaction against the
industrial revolution which began in and took place in the 18th
century to the 19th century and saw the transformation of farming
areas that produced goods for Britain to become industrialized by the new use
of special machine that were suited for factories. Up until the revolution the
manufacturing was often done in people’s homes where they would use hand tools
and very basic machines to produce the good that they needed. The upheaval of
industrialisation also meant that systems like transportation, banking and
communication was all improved for the better but only meaning that for the working
class people the standard of living was lowered by the fact that they were
given low pay and there was harsh and dangerous living and working conditions
whilst the rest of the world moved into an era that would mark the start of
mass production. Art Nouveau was also hugely influenced on the arts and crafts
movement especially the artist of William Morris, the English textile designer
established the design firm of “Morris & Co” in the early 20th
century where he collaborated with many friends creating a range or furniture
and other furnishing for homes. His idea was that all of his work was to become
part of ordinary peoples home, unfortunately this was unrealistic because of
the costly materials and the fact that parts of it was created by hand made it
too expensive for target group of people to be able to afford. Although Morris ultimately wanted these
products to become wide spread and have a positive effect on people’s lives.
Morris own style came from many natural sources in which was based on the forms
from animals and plants. This subject matter for his textile designs was
influenced by the gardens of Klemscott Manor where he and another partner in
the design firm rented out this is much like the style of Art nouveau where it
takes its subject matter from nature and organic forms that make there work.
Art nouveau also showed the practice of Gesamtkunstwerk the German word meaning
the “total work of art” would show the collaboration of many different art
forms which would make up this completely unified and harmonious work of art.
It aims to utilize all the senses artistic or not and all of these particles
join and work cohesively into one final work of art. This concept was developed
by the German composer of Richard Wagner, where he interpreted Gesamtkunstwerk
that it was many different compartments coming and intertwining together to
create on whole thing that strived
towards an absolute unification and coming together as whole. Within Wagner’s
work he tried to incorporate both the performance and the theatre, although it
left things like the design décor and lighting was all to become secondary and
inferior they were still heavily
designed and important to the cohesion of the performance, but soon realised
that this was only able to be done in isolated theatres rather than traditional
theatres in big cities, so he was able to ensure that the architecture was
unable to intrude into the viewer’s sight but work together with the
performance rather than catching the attention of the audience on one thing but
rather the stage, theatre and performance, ultimately worked together cohesively. Wagner wanted a harmonious performance that
would enforce the concept of Gesamtkunstwerk with the unification and working
function of many parts to create an
almost utopian event. This is a lot like the Art Nouveau movement as
they also saw the Gesamtkunstwerk as a purpose and inspiration to try and alter
peoples own experience through design principles. Art nouveau like Wagner’s own vision reacted
against industrial revolution and the advancing new technologies and wanted to
rebel against it. Therefore choosing a style that was organic and naturalistic,
it avoided the straight line but took in favour the curvy and ornamental style
that would let it own line become fluctuated and become intricate and detailed
with a natural based subject matter and expressed the women as once again a
figure of beauty. Within art nouveau the idea of Gesamtkunstwerk didn’t just
restrict itself to paintings but rather encompassed a range of different Medias
ranging from paintings, poster design, furniture, architecture, jewellery, and
to ceramics and glass. “This was about
total renewal, in which everything should harmonise with everything else in its
surroundings.” {1} And with a big part of Art nouveau being architecture
saw the full effect of Gesamtkunstwerk were all the buildings were
meretriciously planned out in order that everything in the building fully
harmonised and link together in a perfect balance. It also saw that absolutely
everything was designed from wallpaper, this then saw the development of many
buildings across Europe that had the unique art nouveau style like the
secessions building in Vienna, where at the top of the building Is a floral
sphere is placed and detailed floral patterns on the wall appear like a tree
the trunks coming down from the foliage. The white building is contrasted
against the gold of the leaves and the sphere. The there is the municipal
building in Prague and the Casa Batllo in Barcelona created by Gaudi all showed
the art nouveau style where the artists avoided any straight lines and used
curved soft lines that would create a distinctive aesthetic that both art
nouveau and Gesamtkunstwerk were both associated with. The architecture was
very ornamental and far from basic and stripped back like the art school of the
Bauhaus established 1919 where unlike art nouveau they rejected any concept of
ornamentation but rather took to a more minimalist style where everything was
very stripped back and basic, where the founder of Bauhaus Walter Gropius
wanted both Gesamtkunstwerk and to be more focused on form and wanted to avoid
discussions that would focused on aesthetics as he rejected anything that could
have been seen as ornamental, this was his main purpose of steering art into being
more focused on technique because of the growing and improving
industrialization. Art nouveau was severely different in the fact that their
whole style and artworks were all based around the idea of ornamentation where
everything from paintings to architecture was so decorative. This is seen
within Gustav Klimt painting the Kiss where there are two figures that are
enveloped in detailed robes and shows both linear constructs and organic forms
were the robes almost appear to blend into the background. Then Beardsley print
Salome where it features a lady in a peacock skirt it was and black and white
in colour and shows a great difference from Klimt’s Kiss painting where that
one is all colourful and bright the black and white one is monochromatic but
still strikes our attention. It also the
development of jewellery where the jeweller of Rene Lalique produced some
intricate and detailed pieces where it used many semi-precious stones for their
colour, this was unusual since before this all French jewellery was about
hierarchy and showing your wealth, and this was seen by the material that were
used to produce the pieces, so therefore laliques jewellery broke all of the
traditional perceptions and expectations of jewellery and design, this enabled
laliques to create a large and wide variety and range of jewellery, also within
the jewellery style is the fine and
intricate pieces that would show a varied range of different materials varying
from enamel stones semi-precious or not and metal. Another big part of Art nouveau
was the poster design and graphic arts, this saw some of the posters as
advertisements for many thing like champagne and new and exciting tourist
locations for people to go and visit. It
also showed the development of book illustration and typography where they
reproduced using a printing press to mass produce many replicas of posters and
more .This was seen throught the artist of Alphonse muca and his posters were
really eye catching with the use of outlining and flat colour this was
especially evident within the hair as the viewer was known able to see all the
details and depicted real people allowing them to become immortal within art. Also the most successful designs were
acknowledged for their flatness of colour and intricate details. And within the
poster design meant that art was all of sudden available and present to the
public. The movement of art nouveau was
so distinct when compared to the other
art movements of the time like the
impressionists and the fauvists that were around at the same in the sense that
it incorporated so many different mediums and didn’t just limit its self to just
painting and this art nouveau style is also seen in contemporary art with
illustrations of pop culture mixed together with decorative and ornamental
style that is mixed in with these images ultimately mixing both history and pop
culture together and it also seen in large scale images
{1}: Quote
by : Giep Franzen “The
Brand as Gesamtkunstwerk” (page 4) 18
December2001, speech to C.E.O and
chairman, Unilever Board of directors. Retrieved 24th May www.planningaboveandbeyond.com/wp.../GesamtkunstwerkEnglish.doc
Monique Jansen Lecture Research #4
ALPHONS TER ANVEST
the visual designer creates these intricate lace artworks within dark grey enclosed alleyways and spaces giving it a more feminine touch, feel and aesthetic to the very business like area. the drawings appear to be made out of chalk making it temporary as the water and other material can destroy it and make it vanish I really like this work with the lace like feel into a modern setting shows the drawing attitude of temporary and fun drawing.
Monique Jansen Lecture Research #3
KERRIE POLINESS
An instructional artist where she will give the instruction on how to make, install and where the points are plotted and the tape need to be to make her work which is comprised from tape straight on to the gallery wall. these drawings are geometric and shows a complete different attitude to drawing where it is conceptualised by the artist but then created by a team of people in a gallery.
An instructional artist where she will give the instruction on how to make, install and where the points are plotted and the tape need to be to make her work which is comprised from tape straight on to the gallery wall. these drawings are geometric and shows a complete different attitude to drawing where it is conceptualised by the artist but then created by a team of people in a gallery.
Monique Jansen Lecture Research #2
JIM DENEVAN
Temporary sand artist creates large scale artists that are created by the use of simple drift wood stick that is found on the beach and begins to trace from a central point and goes outward, his drawings are improvised and made on a whim. Although they appear and both carefully and gracefully rendered with the use of multiple rakes and sticks, the large scale drawings hold a geometric aesthetic to them where they are made up with spirals and circles and other shapes. "When I am doing a drawing, I'm personifying the place that is empty. A plate that is unmarked" {1} Denevan's artworks are very temporary with the waves washing the work away this shows the attitude to drawing that it can temporary and improvised with using basic materials that you find in you immediate surroundings.
Retrieved from : http://www.greenmuseum.org/artist_index.php?artist_id=168 (21/06/2013)
Temporary sand artist creates large scale artists that are created by the use of simple drift wood stick that is found on the beach and begins to trace from a central point and goes outward, his drawings are improvised and made on a whim. Although they appear and both carefully and gracefully rendered with the use of multiple rakes and sticks, the large scale drawings hold a geometric aesthetic to them where they are made up with spirals and circles and other shapes. "When I am doing a drawing, I'm personifying the place that is empty. A plate that is unmarked" {1} Denevan's artworks are very temporary with the waves washing the work away this shows the attitude to drawing that it can temporary and improvised with using basic materials that you find in you immediate surroundings.
Retrieved from : http://www.greenmuseum.org/artist_index.php?artist_id=168 (21/06/2013)
Monique Jansen Lecture Research #1
Dorothea Rockburne
Canadian artist known for her folded paper constructions, she studied at both "Ecole des Beaux-arts" in Montréal and studied at Black mountain college with other artists like Robert Rauschenberg she is interested in mathematics and compositional structures that are mathematically made. She works in a minimalistic manner in which her early work was made out of. she also "developed her work into characteristically aestheticized paintings of interrelated shapes for which she became renowned" {1} for. This is evident within her work with the drawings of her folded paper constructions that show how drawing can be interpreted as an attitude with it technically being what some would call a sculpture. But shows drawing techniques where it appears playful and fun.
Canadian artist known for her folded paper constructions, she studied at both "Ecole des Beaux-arts" in Montréal and studied at Black mountain college with other artists like Robert Rauschenberg she is interested in mathematics and compositional structures that are mathematically made. She works in a minimalistic manner in which her early work was made out of. she also "developed her work into characteristically aestheticized paintings of interrelated shapes for which she became renowned" {1} for. This is evident within her work with the drawings of her folded paper constructions that show how drawing can be interpreted as an attitude with it technically being what some would call a sculpture. But shows drawing techniques where it appears playful and fun.
"Locus" Series 1972
Reference
{1} : Source- Oxford University Press, (2009) "About this artist" retrieved 21/06/2013http://www.moma.org/collection/artist.php?artist_id=4972
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