References

#1 : Art Nouveau, Retrieved 24/ 5/13 http://www.allpainting.org/v/Art+Nouveau/
#2 : William Hardy, (1992) 'A guide to Art Nouveau Style' London, Quintet Publishing, Magna books
#3 :William Morris, Retrieved 24/5/13 http://en.wikipedia.org/wiki/William_Morris
#4 :Industrial Revolution (2013) History Channel website, Retrieved 1:18 24/5/13 from http://www.history.com/topics/industrial-revolution
#5 : Gesamtkunstwerk (Total work of art) Richard Wagner, Retrieved 24/5/13 http://litmusicadaption.wikispaces.com/Total+Work+of +Art+(Richard+Wagner)
#6 Gesamtkunstwerk, Retrieved 24/5/13, http://en.wikipedia.org/wiki/gesamtkunstwerk
#7 Gontar Cybele, "Art Nouveau" in Heilbrunn Timeline of Art History, New York: the Metropolitan Museum of Art (October 2006) Retrieval date 24/5/13 http://www.metmuseum.org/toah/hd/artn/hd   artn.htm

SLIDE SHOW

 

Seminar Notes

My seminar is about the art movement of Art nouveau beginning in the late 19^th century, and ended quickly around the time of world war one. Originating from London and spreading across European countries of Germany, France, Spain and Austria. The movement was known for the varying use of different Medias like paintings, architecture, jewellery, furniture. It was a reaction against the industrial revolution which began in and took place in the 18^th century to the 19^th century and saw the transformation of farming areas that produced goods for Britain to become industrialized by the new use of special machine that were suited for factories. Up until the revolution the manufacturing was often done in people’s homes where they would use hand tools and very basic machines to produce the good that they needed. The upheaval of industrialisation also meant that systems like transportation, banking and communication was all improved for the better but only meaning that for the working class people the standard of living was lowered by the fact that they were given low pay and there was harsh and dangerous living and working conditions whilst the rest of the world moved into an era that would mark the start of mass production. Art Nouveau was also hugely influenced on the arts and crafts movement especially the artist of William Morris, the English textile designer established the design firm of “Morris & Co” in the early 20^th century where he collaborated with many friends creating a range or furniture and other furnishing for homes. His idea was that all of his work was to become part of ordinary peoples home, unfortunately this was unrealistic because of the costly materials and the fact that parts of it was created by hand made it too expensive for target group of people to be able to afford.  Although Morris ultimately wanted these products to become wide spread and have a positive effect on people’s lives. Morris own style came from many natural sources in which was based on the forms from animals and plants. This subject matter for his textile designs was influenced by the gardens of Klemscott Manor where he and another partner in the design firm rented out this is much like the style of Art nouveau where it takes its subject matter from nature and organic forms that make there work. Art nouveau also showed the practice of Gesamtkunstwerk the German word meaning the “total work of art” would show the collaboration of many different art forms which would make up this completely unified and harmonious work of art. It aims to utilize all the senses artistic or not and all of these particles join and work cohesively into one final work of art. This concept was developed by the German composer of Richard Wagner, where he interpreted Gesamtkunstwerk that it was many different compartments coming and intertwining together to create on whole thing  that strived towards an absolute unification and coming together as whole. Within Wagner’s work he tried to incorporate both the performance and the theatre, although it left things like the design décor and lighting was all to become secondary and inferior  they were still heavily designed and important to the cohesion of the performance, but soon realised that this was only able to be done in isolated theatres rather than traditional theatres in big cities, so he was able to ensure that the architecture was unable to intrude into the viewer’s sight but work together with the performance rather than catching the attention of the audience on one thing but rather the stage, theatre and performance, ultimately  worked together cohesively.  Wagner wanted a harmonious performance that would enforce the concept of Gesamtkunstwerk with the unification and working function of many parts to create an  almost utopian event. This is a lot like the Art Nouveau movement as they also saw the Gesamtkunstwerk as a purpose and inspiration to try and alter peoples own experience through design principles.  Art nouveau like Wagner’s own vision reacted against industrial revolution and the advancing new technologies and wanted to rebel against it. Therefore choosing a style that was organic and naturalistic, it avoided the straight line but took in favour the curvy and ornamental style that would let it own line become fluctuated and become intricate and detailed with a natural based subject matter and expressed the women as once again a figure of beauty. Within art nouveau the idea of Gesamtkunstwerk didn’t just restrict itself to paintings but rather encompassed a range of different Medias ranging from paintings, poster design, furniture, architecture, jewellery, and to ceramics and glass. “This was about total renewal, in which everything should harmonise with everything else in its surroundings.” {1} And with a big part of Art nouveau being architecture saw the full effect of Gesamtkunstwerk were all the buildings were meretriciously planned out in order that everything in the building fully harmonised and link together in a perfect balance. It also saw that absolutely everything was designed from wallpaper, this then saw the development of many buildings across Europe that had the unique art nouveau style like the secessions building in Vienna, where at the top of the building Is a floral sphere is placed and detailed floral patterns on the wall appear like a tree the trunks coming down from the foliage. The white building is contrasted against the gold of the leaves and the sphere. The there is the municipal building in Prague and the Casa Batllo in Barcelona created by Gaudi all showed the art nouveau style where the artists avoided any straight lines and used curved soft lines that would create a distinctive aesthetic that both art nouveau and Gesamtkunstwerk were both associated with. The architecture was very ornamental and far from basic and stripped back like the art school of the Bauhaus established 1919 where unlike art nouveau they rejected any concept of ornamentation but rather took to a more minimalist style where everything was very stripped back and basic, where the founder of Bauhaus Walter Gropius wanted both Gesamtkunstwerk and to be more focused on form and wanted to avoid discussions that would focused on aesthetics as he rejected anything that could have been seen as ornamental, this was his main purpose of steering art into being more focused on technique because of the growing and improving industrialization. Art nouveau was severely different in the fact that their whole style and artworks were all based around the idea of ornamentation where everything from paintings to architecture was so decorative. This is seen within Gustav Klimt painting the Kiss where there are two figures that are enveloped in detailed robes and shows both linear constructs and organic forms were the robes almost appear to blend into the background. Then Beardsley print Salome where it features a lady in a peacock skirt it was and black and white in colour and shows a great difference from Klimt’s Kiss painting where that one is all colourful and bright the black and white one is monochromatic but still strikes our attention.  It also the development of jewellery where the jeweller of Rene Lalique produced some intricate and detailed pieces where it used many semi-precious stones for their colour, this was unusual since before this all French jewellery was about hierarchy and showing your wealth, and this was seen by the material that were used to produce the pieces, so therefore laliques jewellery broke all of the traditional perceptions and expectations of jewellery and design, this enabled laliques to create a large and wide variety and range of jewellery, also within the jewellery style is the fine  and intricate pieces that would show a varied range of different materials varying from enamel stones semi-precious or not and metal. Another big part of Art nouveau was the poster design and graphic arts, this saw some of the posters as advertisements for many thing like champagne and new and exciting tourist locations for people to go and visit.  It also showed the development of book illustration and typography where they reproduced using a printing press to mass produce many replicas of posters and more .This was seen throught the artist of Alphonse muca and his posters were really eye catching with the use of outlining and flat colour this was especially evident within the hair as the viewer was known able to see all the details and depicted real people allowing them to become immortal within art.  Also the most successful designs were acknowledged for their flatness of colour and intricate details. And within the poster design meant that art was all of sudden available and present to the public.  The movement of art nouveau was so distinct  when compared to the other art movements of the  time like the impressionists and the fauvists that were around at the same in the sense that it incorporated so many different mediums and didn’t just limit its self to just painting and this art nouveau style is also seen in contemporary art with illustrations of pop culture mixed together with decorative and ornamental style that is mixed in with these images ultimately mixing both history and pop culture together and it also seen in large scale images

{1}: Quote by : Giep Franzen “The Brand as Gesamtkunstwerk” (page 4)  18 December2001, speech to  C.E.O and chairman, Unilever Board of directors. Retrieved  24^th May www.planningaboveandbeyond.com/wp.../GesamtkunstwerkEnglish.doc

Monique Jansen Lecture Research #4

ALPHONS TER ANVEST
the visual designer creates these intricate lace artworks within dark grey enclosed alleyways and spaces giving it a more feminine touch, feel and aesthetic to the very business like area. the drawings appear to be made out of chalk making it temporary as the water and other material can destroy it and make it vanish I really like this work with the lace like feel into a modern setting shows the drawing attitude of temporary and fun drawing.

Monique Jansen Lecture Research #3

KERRIE POLINESS
An instructional artist where she will give the instruction on how to make, install and where the points are plotted and the tape need to be to make her work which is comprised from tape straight on to the gallery wall. these drawings are geometric and shows a complete different attitude to drawing where it is conceptualised by the artist but then created by a team of people in a gallery.

Monique Jansen Lecture Research #2

JIM DENEVAN
Temporary sand artist creates large scale artists that are created by the use of simple drift wood stick that is found on the beach  and begins to trace from a central point and goes outward, his drawings are improvised and made on a whim. Although they appear and both carefully and gracefully rendered with the use of multiple rakes and sticks, the large scale drawings hold a geometric aesthetic to them where they are made up with spirals and circles and other shapes. "When I am doing a drawing, I'm personifying  the place that is empty. A plate that is unmarked" {1} Denevan's artworks are very temporary with the waves washing the work away this shows the attitude to drawing that it can temporary and improvised with using basic materials that you find in you immediate surroundings.

Retrieved from : http://www.greenmuseum.org/artist_index.php?artist_id=168 (21/06/2013)

Monique Jansen Lecture Research #1

Dorothea Rockburne
Canadian artist known for her folded paper constructions, she studied at both "Ecole des Beaux-arts" in Montréal and studied at Black mountain college with other artists like Robert Rauschenberg she is  interested in mathematics and compositional structures that are mathematically made. She works in a minimalistic manner in which her early work was made out of. she also "developed her work into characteristically aestheticized paintings of interrelated shapes for which she became renowned" {1} for. This is evident within her work with the drawings of her folded paper constructions that show how drawing can be interpreted as an attitude with it technically being what some would call a sculpture. But shows drawing techniques where it appears playful and fun.

 

"Locus" Series 1972

 

Reference

{1} :  Source- Oxford University Press, (2009) "About this artist" retrieved 21/06/2013http://www.moma.org/collection/artist.php?artist_id=4972



 

 

 

Simpsons " The Springfield Files" 1997 Season 8 episode 10 Questions

What References to Pop Culture does this episode of The Simpsons make?

• X-Files
• Donkey Kong
• Lenard Nemoy (Start Trek)
• Roswell
• Signs
• TGIF (Thank God It's Friday)
• Looney Tunes (Marvin the Marshin)
• Slinky
• Speed
• Alf
• The Shining
• Free Willy
• Psycho
• Saturday Night Fever
• The Fox Network
• Budweiser
• Twilight Zone
• Cosby Show
• Star Wars (Chewbacca)

What kind of audience does 'The Simpsons' assume? What kind of viewing processes does this audience undertake?
Gone from kids and family television show to an adult show with pop culture references that only an adult that was emersed in pop culture would know and recognise as they sub-consciously read the many references 

Which Postmodern devices explained on your slide list does this episode of 'The Simpson' employ?
Intertextuality: TV  programs within another television program, and may parody it. Pastiche, Reflexivity: Narrative mixes with the backstage person technians, songs, irony, other genres of movies and television.






















Does the Show in any way reference the frame, or it's means of production as a form of self reflexivity?
When they were talking and referencing and promoting both the FOX Network the company that produces the show and Budweiser also shows irony and References the production of the television show with the  sound guy having to step in for Lenard Nemoy at one point.

























What are some other examples of where postmodern features can be seen in television shows, adverts or films?
within the feature of parody where that make fun of it in an ironic way. Or the person or with references, to the exact thing or person that they are referring to  another way is through the feature of Reflexivity where they makes reference to how the show is made.

Full Episode : http://vimeo.com/60977805

Post Mondernism Lecture activities

How do is form of reflexivity in the opening scene of "Austin Powers Goldmember" (2002)

shown. REFERNCES

• Action Movie
• Mission Impossible
• James Bond
• Parody
• Femme fatale/ Damsel in distress/ Blond Bombshell
• Steven Spielberg
• Academy Awards (Oscars)
• Musicals "Singing in the Rain", and "West Side Story"
• Ballet Swan Lake
• How its made, mixing behind the scenes into actual movie, orchestral pit and Steven Spielberg directing it even though Jay Roach did
• 60's era
• Pop culture, Britney Spears
• Many Different cultures
• Charlie's Angels
• Bollywood
• Nostalgic Homage
• Demographic of some one that is emersed in pop culture

 



 

Artspace Field Trip Work Sheet

1. Select two artworks that you believe make an interesting comparison in how they express or suggest ideas about locality. What ideas does each artwork communicate about identity? How are these ideas communicated? Explain why you believe these artworks make an interesting comparison.
       The artworks 'Citizen band' (Angelica Mesiti) and 'Right of way' (Janet Lilo), each
       artwork helps convey mainly the same Idea of cultural identity within different social
       surroundings but communicated in completely different ways. In 'Citizen band' Mesiti
       uses the media of moving image where she capture four separate people in settings
       around Australia where it captures them playing their own cultural music. This is
       completely different to Lilo's work 'Right of way' is composed through photographs in
       which there are over 4000 installed onto the gallery wall where they make up the image
       of her driveway and typically Auckland things like blue tarpaulins and old TV's that you
       would see in the annual inorganics. Both these artworks communicate the idea of
       cultural identity shows an interesting comparison through the different use of media to
       help convey this.
       

2. The curator of the 5^th Auckland Triennial, Hou Hanru, has written, “[i]t has become increasingly evident in today’s globalized world that it is impossible to talk about the question of locality without relating it to globality.” Consider Janet Lilo’s work, Right of way. What elements of the local and the global can you find in her artworks? 

        Within Janet Lilo's 'Right of Way', the artwork shows both elements of local and global

        imagery, like the blue tarpaulins, an icon of the New Zealand outdoor lifestyle in which

        they are used for many different things. Then there is the global imagery of the

        mountains of televisions which this is a global product in which doesn't matter if its new

        or like the ones in the artwork the old retro TVs in which have the box backs to it. The

        image of the TV's stacked upon each other also shows the societies obsession with

        consumerism and wanting more and the new. This is shown effectively through her

        artwork.

Janet Lilo ' Right of Way' 2013

 

 

 

 

Migration Prose final Exeter Remains

Engraved into the smooth blue porcelain of the Devon blue ware, is the saying “Like the blue of Devon I’m from heaven” the jug sits comfortably on the shelf as the heirloom gathers dust. The blue of Devon jugs that have been collected and compiled together and have a range of different sayings on some of them and others none. But the one stating “like the blue of Devon I’m from heaven” stands out the most as it is unique and unlike any of the other sayings that crowd around it. The tactile object holds its place as a nostalgic object of my families past. As I sit and imagine how it would have been like back in England actually using these items like the milk jug that is so precious to us now as it is no longer filled with milk but rather the memories and the significance that it is filled to the brim with. The contrast between both the blue and the crème colour that makes the writing stand out on the porcelain and the numerous jugs become an icon that sits in my mother’s glass cabinet that is accompanied by many other things that are priceless possessions that commerates and exhibits  our migration from Exeter all the way to New Zealand.

Slumped beside one of the jugs is a tattered and dust gathering sailor doll once presented to my mother  as she made her voyage from England to New Zealand by boat. The colours faded it has obviously had better days, yet it still has the same smiling face that gleams at you and captures your heart in a glance.  Easily held by a little child’s hand the much loved doll dressed up in the sailor costume threadbare and fraying at some parts has gotten the worst being dragged around and tossed into copious amounts of scenarios that are soon to be forgotten. That only the 50’s style doll could handle, because the things that were made and created in that decade, were meant to last another few decades.

Bright and shiny placed in protective frames are the war medals achieved by both my grandfather and great grandfather in world wars the medals signify their hard work to defend our country and  

The bright colouring of the ribbons has a rough yet silky feel and haptic look to it. The gold and other metal medals hang perfectly on the strong ribbons, imprinted into the medals wordings and images embossed and engraved into the medals. Symbolic to my grandfathers the war memorabilia creates a nostalgic feel that projects these remembrances of what we learnt about war in history class at school. Although very different the knowledge that we educate ourselves with compares nothing to the honest experience that my grandparents experienced whilst in the midst of the combat of world wars.

Despite this shelf the only other place the holds the nostalgic heirlooms is tucked away deep in my mother’s jewellery box for safe keepings. Are the rings of my grandparents and further down the line. Engagement rings and more the stunningly beautiful jewellery waits patiently for it to be one day treasured. Just like the other heirlooms that are placed in my surroundings of my own home.

X Ways of Looking at a Teacup

Filled with tea

Hot coco and coffee

Warms you up on the unbearable days

They serve as protection to the icy temperature.

 

A holder for trinkets,

A decorative way of displaying, your precious objects

Whilst staying organised and ordered.

 

Years of use and multiple abuse

The chipped and cracked antique teacup

Now holds its place.

Soon to be packed up with a million other, seemingly  useless things,

Only to gather dust.

 

Found in a dusty box

Placed away perhaps for safe keepings

Only to have is passed down for a child to dress up and reinact

Her wild imagination.

 

Tossed alongside with the mismatched crockery,

The tea party commences

Mad hatter and all

The water in place of actual tea

Her youth disallowing her from the scalding hot liquid.

 

Chipped from countless amounts of tea parties

The mad hatter was soon disinvited.

 

Starwaka Style poem Toto the Death Trap Car

From point A to point B

The transporting of sisters

Only granting memories to grow

Fights, laughs road-trips and more

The many memories collected and crammed into the truck

Of old little Toto the death trap car.

Radio blaring only to compete with the signing of two sisters

As the Corolla repetitively lurches forward…

Until coming to a complete stop.

But now Toto has morphed

From the once rusted, threat to life and limb

 To working like a new car

The breaks replaced and all

It’s gonna take a little time to get used to the new Toto

Exeter Remains. (1st Draft)

Engraved into the smooth blue porcelain of the Devon blue ware, is the saying “Like the blue of Devon I’m from heaven” the jug sits comfortably on the shelf as the heirloom gathers dust. The blue of Devon jugs that have been collected and compiled together and have a range of different sayings on some of them and others none. But the one stating “like the blue of Devon I’m from heaven” stands out the most as it is unique and unlike any of the other sayings that crowd around it. The tactile object holds its place as a nostalgic object of my families past. As I sit and imagine how it would have been like back in England actually using these items like the milk jug that is so precious to us now as it is no longer filled with milk but rather the memories and the significance that it is filled to the brim with. The contrast between both the blue and the crème colour that makes the writing stand out on the porcelain and the numerous jugs become an icon that sits in my mother’s glass cabinet that is accompanied by many other things that are priceless possessions that commerates and exhibits  our migration from Exeter all the way to New Zealand.

Slumped beside one of the jugs is a tattered and dust gathering sailor doll once presented to my mother  as she made her voyage from England to New Zealand by boat. The colours faded it has obviously had better days, yet it still has the same smiling face that gleams at you and captures your heart in a glance. The sailor costume threadbare and fraying at some parts has gotten the worst being dragged around and tossed into copious amounts of scenarios that are soon to be forgotten. That only the 50’s style doll could handle, because the things that were made and created in that decade were meant to last another few decades.

Associative Writing

Associative writing exercise from the Exhibition of Caryline Boreham and Renee Bevan  called "Firstcomer"
The painting confuses me slightly by the way that is daunting creepy as if the person spying on me. But you could also say that from the person in the photograph view, they have tunnel vision by the way that they have small holes for their eyes leaving them with hardly any peripheral vision only being able to see what is right in front of them as if they are on a journey  and are unable to get distracted by things on the side-line that could prevent them from seeing out what they want to do meaning that the person is completely  focused and isn’t letting anything get in the way  of them carrying on that journey. The picture also could have something to do with the fact that the person is looking through the job section of the newspaper were that could suggest that they are in need and searching for a job and that could explain the somewhat angry and jealous observing the people which are not in view that may have jobs, creating the voyeuristic feel where the person in the photograph desperately wants something and is slowly figuring out how to get it.

Bastion point and Manet Response

With both the lectures about the artist Manet and the documentary about Bastion Point are both about the displacement of people where they are being moved to another place. This was done by the government, like for instance the artist Manet and many other Parisian people were forced to move out of the newly renovated and developed city out to the country and other parts of France. This was because of the high living costs that came along with living in Paris. This influenced Manet’s artworks as he painted the displacement of people in Paris, and how they were displaced and forced them to move out of the city. This is also subtly critiqued the ‘salon’, whom only exhibited artists that showed merit and academically taught. Through the modernisation of Paris and the displacement of its people created urged the artists to respond to the evolving modernisation of Paris throughout their work. This made the artist’s work develop into a modern style and thus creation of modernism within art. This is similar and relates to Bastion point and the documentary   and how the government forced the people off the land. This documentary was really formative as I was unaware of the protests and occupation of Bastion point. It was also interesting out find out what happened and how it has affected our country and shows the connection to the modernism of Paris where people had to leave their precious homes. This is similar to Bastion Point as the Maoris were moved off the land into state housing, but unlike the Parisian’s the Maoris fought back against the government by occupying the land of Bastion point until they forced and escorted off the land by the government and police. But them occupying  the land did pay off because later on the government decided that Bastion point was indeed Maori land so no developments was too happen there, so it was left as untouched land.